English — ϲ Mon, 15 Jul 2024 15:56:32 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 Silvio Torres-Saillant /faculty-experts/silvio-torres-saillant/ Tue, 22 Feb 2022 18:37:11 +0000 /?post_type=faculty-experts&p=173829 Biography

Silvio Torres-Saillant, Professor in the English Department, is Dean’s Professor of the Humanities in the College of Arts and Sciences, where he formerly headed the Latino-Latin American Studies Program, served as Director of the Humanities Council, and held the post of William P. Tolley Distinguished Teaching Professor in the Humanities. His books includeThe Once and Future Muse: The Poetry and Poetics of Rhina P.Espaillat[with Nancy Kang] (University of Pittsburgh P. 2018),Caribbean Poetics(2nd ed. Peepal Tree Press 2013; 1st. ed. Cambridge University P. 1997),An Intellectual History of theCaribbean(Palgrave 2006),El tigueraje intelectual(2nd ed. Mediabyte 2011; 1st ed. CIAM/Manati 2002),Elretorno de las yolas(2nd ed. Editora Universitaria Bonó 2019; 1st ed. LaTrinitaria/Manatí 1999), andThe Dominican Americans[with Ramona Hernández] (Greenwood 1998).

He co-founded La Casita Cultural Center, an off-campus unit of the College of Arts and Sciences conceived as a bridge of communication, collaboration, and exchange between the school and the Latino population of the city while promoting the Hispanic heritages of Central New York. Before coming to SU, he founded the CUNY Dominican Studies Institute, an interdisciplinary research at the City College of New York, and taught in the English Department of Hostos Community College, CUNY. As a visitor, he has taught at Amherst College, Harvard University, the Universidad de Cartagena, and Colombia’s Universidad Nacional. He lectures widely in Europe, Latin America, the Caribbean, and the United States.

A member of the Editorial Board of the University of Houston’s Recovering the US Hispanic Literary Heritage Project, he is Associate Editor ofLatino Studies(Palgrave) and has edited the New World Studies Series for the University of Virginia Press.

]]>
Chris Hanson /faculty-experts/chris-hanson/ Tue, 22 Feb 2022 18:25:11 +0000 /?post_type=faculty-experts&p=173825 Biography

After completing a BA in Media Studies at Carleton College, Chris Hanson worked for a number of years in video game, esports, and software development, and later assisted with the planning and production of an educational series and content for PBS. Chris returned to academia in Los Angeles and received his MA and PhD in Critical Studies at the University of Southern California School of Cinematic Arts. His first book.(Indiana University Press, 2018), examines the function of time in digital and analog games, and he is currently completing a book about game designer Roberta Williams.

He serves as an advising faculty member for the Goldring Arts Journalism Program in the S.I. Newhouse School of Public Communications, and he co-teaches the Newhouse course “Esports and Media” with Professor Olivia Stomski (Newhouse). Chris has also taught courses in the Renée Crown University Honors Program and for Project Advance. He serves as the faculty advisor for the university’s Gaming Club and Esports Club, and assisted with the planning and development of ϲ’sand thein Bird Library.

Areas of Supervision

Game studies, game and esports industry studies, television studies, genre, emerging media, avant-garde film and video, and temporality.

]]>
Will Scheibel /faculty-experts/will-scheibel/ Tue, 22 Feb 2022 18:21:06 +0000 /?post_type=faculty-experts&p=173823 I’m Professor of Film and Screen Studies in the Department of English and Chair of the department. A specialist in U.S. film history, I am primarily interested in stardom and performance, genres and modes of popular storytelling (horror, film noir, melodrama), and Classical Hollywood cinema. One of my central research questions asks, how do legendary Hollywood figures (filmmakers, stars, proprietary characters) achieve legibility as classic-film icons?

​Currently, I am writing a book under contract with Wayne State University Press about the Universal Classic Monsters (Dracula, Frankenstein’s Monster, The Wolf Man, etc.). Exploring the impact of film circulation and paratextual material on the creation of a canon, this project undertakes a kind of monster-hunt across time: from the studio period, when the serialization of horror films made Universal Pictures synonymous with the genre, to the franchise era, when the Universal monsters gained afterlives as brand ambassadors for a media conglomerate. The book is tentatively titledMonsters in the Movie Lab: Universal Pictures and Classic Hollywood Horror.

]]>